Тотальная неудачница и убийца жёстких дисков.
#post-id: 3448-08-26
#original-date: 3.01.2010 Sun
#original-time: 8:26 AM
#original-day: 3448
#original-host: WinXP Prof SP2 (Build 2600)
Belldandy's original concept was loosely based on a depiction of Miyuki Kobayakawa, one of the main characters of You're Under Arrest, which was also created by Kosuke Fujishima. Miyuki was featured as a goddess in an advertisement for a You're Under Arrest t-shirt giveaway and appeared as a goddess character in a "four panel gag strip" in the You're Under Arrest manga, leading to claims that Oh My Goddess is a spin-off series.
Так я и думала ^^ Нет, ну а что? Сходство ещё в первом сезоне не давало покоя ^^
The critique that Belldandy represents a negative stereotype of women, placing them in a subservient role to men, appears a number of times in the literature. Annalee Newitz states that the manner in which Belldandy is portrayed in the series would, in all likelihood, be impossible in the United States – especially, as she goes on to say, since "the advent of feminism and the women's rights movement". While Newitz sees this as reflective of Japanese culture, arguing that characters such as Belldandy are possible because feminist issues do not have the same recognition within Japan as they do in many Western countries, Susan J. Napier takes a very different line. She argues that characters such as Belldandy may be a reaction to the increasing assertiveness of women in Japan, thus presenting Belldandy as an attempt to reinforce traditional cultural values, rather than a reflection of them. To demonstrate this, Napier points to Belldandy's role in "Moonlight and Cherry Blossoms", the first of the OVA episodes. The episode begins with disorder, as Keiichi is evicted from his dorm after Belldandy's chaotic appearance into his life, but ends with a return to "traditional values", signified through the restoration of the old temple. Similarly, Napier notes that Belldandy's cooking is often commended by the other characters, and as such is another way in which the character of Belldandy can be seen to reinforce more traditional female roles. Carlos Ross of Them Anime Reviews considers Belldandy's characterization in the film much better than in the OVA series, where he describes her as a "doormat".
Нашли, блин, что критиквать. Обратили бы свой взор на Урд. Кроме того, заявления на тему "Верданди не могла случиться в Штатах" - это, конечно, довольно интересно. Нет, понятно, что в Штатах менталитет другой у народа, но так и Верданди вообще-то оттуда сошла на Землю. И вообще, люди бывают разные >_<
/* И вообще, как говорил Хошино, я не позволю это критиковать! */
http://en.wikipedia.org/wiki/Belldandy
#original-date: 3.01.2010 Sun
#original-time: 8:26 AM
#original-day: 3448
#original-host: WinXP Prof SP2 (Build 2600)
Belldandy's original concept was loosely based on a depiction of Miyuki Kobayakawa, one of the main characters of You're Under Arrest, which was also created by Kosuke Fujishima. Miyuki was featured as a goddess in an advertisement for a You're Under Arrest t-shirt giveaway and appeared as a goddess character in a "four panel gag strip" in the You're Under Arrest manga, leading to claims that Oh My Goddess is a spin-off series.
Так я и думала ^^ Нет, ну а что? Сходство ещё в первом сезоне не давало покоя ^^
The critique that Belldandy represents a negative stereotype of women, placing them in a subservient role to men, appears a number of times in the literature. Annalee Newitz states that the manner in which Belldandy is portrayed in the series would, in all likelihood, be impossible in the United States – especially, as she goes on to say, since "the advent of feminism and the women's rights movement". While Newitz sees this as reflective of Japanese culture, arguing that characters such as Belldandy are possible because feminist issues do not have the same recognition within Japan as they do in many Western countries, Susan J. Napier takes a very different line. She argues that characters such as Belldandy may be a reaction to the increasing assertiveness of women in Japan, thus presenting Belldandy as an attempt to reinforce traditional cultural values, rather than a reflection of them. To demonstrate this, Napier points to Belldandy's role in "Moonlight and Cherry Blossoms", the first of the OVA episodes. The episode begins with disorder, as Keiichi is evicted from his dorm after Belldandy's chaotic appearance into his life, but ends with a return to "traditional values", signified through the restoration of the old temple. Similarly, Napier notes that Belldandy's cooking is often commended by the other characters, and as such is another way in which the character of Belldandy can be seen to reinforce more traditional female roles. Carlos Ross of Them Anime Reviews considers Belldandy's characterization in the film much better than in the OVA series, where he describes her as a "doormat".
Нашли, блин, что критиквать. Обратили бы свой взор на Урд. Кроме того, заявления на тему "Верданди не могла случиться в Штатах" - это, конечно, довольно интересно. Нет, понятно, что в Штатах менталитет другой у народа, но так и Верданди вообще-то оттуда сошла на Землю. И вообще, люди бывают разные >_<
/* И вообще, как говорил Хошино, я не позволю это критиковать! */
http://en.wikipedia.org/wiki/Belldandy